The trimaran offers unique opportunities in terms of accommodation and living areas too. “The 20-metre beam makes for massive spaces,” Sorgiovanni says. “Normally on a monohull you would have to go out to around 160 to 170 metres in length to get that kind of beam.”
Guests experience the generous spaces from the moment they arrive on the main deck. The formal entrance is overlooked by a dramatic marble and silk carpet staircase with the lift behind. To starboard, there is a formal lounge with seating for 10 and on the port side is the family lounge with more informal and flexible seating. From there, the entertaining area opens up to the full beam of the yacht. At the heart of this area is an oval bar with a bespoke colour-changing LED light sculpture that extends from floor to ceiling, flaring out at the top in a classic art deco form. On the port side, a formal dining table which doubles as a board table is topped with a 450kg Bohemian crystal chandelier. It is one of several art pieces that celebrate the beauty of glass, crystal and marble.
“It was very important that the Art Deco design language was similar to White Rabbit Echo because they were keeping her,” Sorgiovanni says.
“However, this was to be a step up as it would be used for both corporate functions – corporate entertaining space is at a premium in Singapore – and private family functions.”
Another surprising design feature of the yacht is that guest spaces were all manufactured
in Turkey to CAD drawings and 3D laser scans supplied by Echo Yachts, then disassembled, shipped to Fremantle and rebuilt within the yacht by the Echo Yachts team in Australia. Such a radical construction method was a major cost saving for the project.
Unusually in superyacht design, the owner’s stateroom on White Rabbit is on the lower deck in the centre hull, where the family elders can ride in comfort. It includes a separate lounge and office, and boasts a full beam ensuite bathroom. It has wheelchair access from the lift and was positioned in this space as the most comfortable for motion while underway. There are two more guest cabins on this deck, a laundry room and six crew cabins.
Forward of the entertainment area on the main deck is a second master suite on the starboard side, enjoying the expansive ocean views. There is also a large galley that is designed to be used by family members, and forward of that are further crew cabins and a crew mess that takes up the full beam. The large windows and elevated position contribute to a light, bright space that would be the envy of superyacht crew the world over. “The yacht will be regularly used in port and at sea so it was important to the owner that the crew is comfortable and content,” says Blackwell.
On the upper deck are three VIP staterooms, four twin cabins and the bulk of the crew accommodation. Overall there is accommodation for 30 guests and 32 crew, and enough space for 100 or more day guests.
The sun deck is optimised for the hot and humid Singaporean weather with large, air-conditioned interior entertainment areas.
The indoor cinema features a skylight that opens up to take in the night sky and a view of the whale tail-inspired main mast.
There are outdoor dining, lounging and sunning areas on each deck with shading and fans to counter the heat. After dark White Rabbit’s custom designed lighting system configures to every mood, right down to underwater hull ports from leading UK manufacturer OceanLED which do away with movable parts to stop vibration.
Walking through White Rabbit there is a sense of coherence, elegance and practicality to the design. Luxury areas are communicated via the materials used – onyx in the VIP staterooms’ ensuites for example – while the cabins most likely to be used by the youngest generations employ more robust materials. The layout is as innovative and unconventional as the yacht herself. The architecture maxim “if you try to design for everyone, you will please no one, the more unique and specific a design is, the better it will be,” certainly seems applicable in this case. From the beginning, this project was customised to the family’s needs, experiences and the expectation that the yacht will remain in the family for generations. And that is a low impact choice in and of itself.
echoyachts.com.au